Tag Archives: Reviews

Friday Film Club – The Killing (1956) & Big Brother (2018)

Hi folks and welcome to the The Friday Film Club where both myself and Elwood will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether you’re choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Elwood’s Pick – The Killing (1956)

While Stanley Kubrick might be unquestionably a master director, the strength of the key films of his career like Dr. Strangelove, A Clockwork Orange and The Shining does mean there are other films which never seem to get discussed and The Killing can certainly be considered to be one of those films. 

Based on the Lionel White novel Clean Break here Kubrick crafts as gripping film noir as he follows professional criminal Johnny Clay (Sterling Hayden) as he plots to pull off a final heist on a racetrack, the film following him as he assembles his team of inside men and hired goons to pull of the heist only for things to go astray and soon becomes more about who will live to get their share from the heist. 

Despite only being his second film after Killer’s Kiss here Kubrick shows a real visual flair and confidence as while the setup might not be anything we haven’t seen in numerous heist movies before, the construction of this film certainly feels a lot more modern than it’s counterparts as Kubrick uses long takes and tracking shots to keep the film flowing while even playing with the structure by showing meeting with certain key players out of sequence to the rest of the film making it unsurprising that the film was one of the key inspirations for Quentin Tarantino’s Reservoir Dogs. 

Not only is the film engaging from the aspect of watching the crooks pulling off the heist it’s equally as gripping to see how they are going to get away with the money, especially when so many aspects of the plot hinge on timing and people being in the right location while outside of the heist things only become more complex when potential double crosses arise. 

It’s confusing why this film is not brought up more in the discussion about Kubrick’s filmography but it is well worth checking out especially the Criterion edition which not only contains all the usual bonuses expected from the label but also has a print so well cleaned you would think it’s a new movie. 

Kim’s Pick – Big Brother (2018)

 A unique addition to Donnie Yen’s filmography comes in a film that uses its story to highlight the societal issues with the Hong Kong education system. While that might not sound relevant to the general viewer, the film is about an ex-soldier Mr. Chan that has decided to take on the task to teach a class of teen delinquents at a school on the verge of losing its funding due to its students’ poor university entrance rate. 

The film focuses on the story of specifically five students in his class which cover a lot of the main issues which exist in their students from conversative thinking where parents put more focus on their sons and neglect their daughters, studying deficiencies, immense stress from preparing for exams leading to suicide, gang influence, a sense of belonging due to different race and its prejudices, parents under substance abuse. 

Everyone expects Donnie Yen films to be a martial arts action feast, Big Brother is a project that is so much more. It’s a feel-good, comedic, heartfelt, meaningful and yet still manages to find a few moments for Donnie Yen to shine in his fighting moments. One of them even involves fighting an ex-MMA fighter and the other is a fun assembly of using different basic items lying around to its advantage. 

However, the film is at its best in its more emotional moments as this teacher barges into these kids’ lives and uses his unorthodox teaching methods to spark their own confidence and interests to follow their dreams no matter how impossible it feels or how others don’t expect to be any more than the “losers”. The film’s genuinity does work even more as these five young cast are all in their first time roles. Their roles are supported by a lot of veterans in the industry from Fung Woo as the ex-principal, Joe Chen who is a renowned Taiwanese actress as another teacher, Ka Wah Lam as the current principal and it extends to a lot of the parent roles. 

BIG BROTHER (2018) Official Trailer | Donnie Yen Action Movie

Big Brother isn’t exactly the typical Donnie Yen film and yet this one is a film that is very meaningful in its societal purpose reflecting on the education system but also delivers a lot of feel-good vibes and positive encouraging messages about chasing your dreams no matter how impossible it feels and the importance of having the knowledge to make rational decisions. 

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

Top 10 Film Discoveries 2022

Kim and Elwood reveal their top 10 first time watches for 2022 to make up a list which includes surprising documentaries, underwater horror, Japanese new wave and a surprisingly large amount of food porn!

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Friday Film Club: The Last Blockbuster (2020) & Waitress (2007)

Hi folks and welcome to the The Friday Film Club where both myself and Elwood will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether you’re choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Elwood’s Pick – The Last Blockbuster (2020)

While many of us assumed that Blockbuster Video the once legendary video rental chain was nothing but a fond childhood memory having disappeared during the financial crisis of 2007-2008 when it surprisingly was still an active chain. Five of those stores were in Alaska with the other in Bend, Oregon which store manager Sandi Harding is determined to keep alive especially with the stores in Alaska closing and leaving her store facing an uncertain future as to whether the current owners of the brand Dish Network will allow her renew her contract to keep the name and the store open. 

Equal parts nostalgia for the video store experience as it is a profile of the self proclaimed “Blockbuster Mom” Sandi who runs the last store in the quiet little town of Bend with her family were the business remains a cornerstone of the town and soon becomes a tourist attraction of its own when the rest of the world learns of the stores existence. Sandi though is a charming subject full of warmth and real love for the store including a great scene where she shows how she keeps the old computer system running with her backroom full of old computers ready to be robbed for parts. 

Sandi’s story is broken up with the history of Blockbuster Video and how it pushed out the mom and pop video stores with underhanded tactics which saw them getting rental tapes for a fraction of the price the independent stores were paying. Needless to say Troma Studios founder Lloyd Kaufman doesn’t mince his words when talking about the brand in a surprisingly venomous interview where he even questions if the interviewer knows who he is. These history sections are surprisingly insightful, especially finding out that Netflix wasn’t the one to put Blockbuster out of business but rather the questionable spending that was happening within the company.

The rest of the film is padded out with the usual celebrity talking head sections some of which are great such as Brian Posehn and Paul Scheer with Kevin Smith as per usual showing his geek credentials while Doug Benson feels more keen to fluff his own ego especially as he goes to the store to rent his own film. The most surprising of these interviews though comes from Jaimie Kennedy who appeared in Blockbuster commercials as part of their Entertainment Squad which lead to him landing the part of Randy in the Scream films.

As someone who grew up with the video store being such a cornerstone of my childhood there is a lot of warm nostalgia to be found with this film and the little store that could be at the centre of the film which while it lacks rewatchability is still worth checking out for the nostalgia kick. 

Kim’s Pick – Waitress (2007)

Written and directed by the late Adrienne Shelly as her final film appearance, Waitress tells the story of a small town waitress Jenna (Keri Russell) who has a unique talent for making delicious pies but is stuck in a controlling and unhappy marriage with Earl (Jeremy Sisto) which she constantly plans to leave, until she discovers that she is pregnant, making the situation all the harder to break away from. Her unwanted pregnancy leads her to make the acquaintance of the new doctor in town Dr. Pomatter (Nathan Fillion) and they have a strong attraction towards each other.

Waitress is set in a small town and with that it feels a lot more close-knit and smaller scale with its fewer locations and moves between Jenna’s home, the diner and the doctor’s office. So does the group of characters that revolve around Jenna influencing her in both good or bad ways. All of these things create a dynamic of creating this balance to each other. In some ways, the turning point of knowing that she is pregnant at the beginning slowly changes her and gives some extra courage to defy her unhappy marriage in her own way and also be more direct in the way of dealing with people. What doesn’t change is how she translates every good and bad situation into a quirky pie which brings in some very scrumptious pie making food porn.

The film is an interesting narrative as it starts right away with the unwanted pregnancy that ends up creating some comedic interactions. The reluctance Jenna has makes her a rather incomprehensible woman especially to her doctor which spontaneously also leads her into a quirky and fun affair because the interactions feels awkward for the most part. Nothing feels very normal either as she also switches over to a rather toned down and emotionless role with her extremely controlling husband who reveals more and more of his ugly traits in every scene. The better characters are the supportive co-workers and friends that are a shoulder to lean on, including the big boss (Andy Griffith) who shows up at the diner complaining a lot and ends up having a nice friendship with Jenna. Every element becomes the push for Jenna to choose the next step and accept this new path wholeheartedly. 

A cup of romance and an ounce of comedy gives Waitress quite a nice little romantic comedy drama where the unexpected things in life sometimes are the little blessings. In this case, it makes her courageous to right the wrongs in her life and do what’s best for herself and her baby. Add in a teaspoon of food porn and a handful of good cast and here we are with this funny little film delivered as the final piece of Adrienne Shelly who plays one of the co-workers and her best friends. The message and depth of the film makes it rather sad that she didn’t get more time to direct more films but makes this one all the more worth it to check out.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

Movies and Tea #60 – Once Upon A Time In Hollywood

Bringing our re-evaluation of Quentin Tarantino’s filmography to a close with Once Upon A Time In Hollywood another entry in Tarantino’s alternative histories as Leonardo Dicaprio plays Rick an actor whose star is on the fall struggling to recapture fame and success in 1960s Los Angeles like his best friend and stunt double Cliff (Brad Pitt Meanwhile, living next door to Rick is Sharon Tate and her husband Roman Polanski while in the hills the Manson family are gathering.

We also reveal our Favourite, Worst and hidden gems of the Tarantino filmography 

Music on this episode

Treat Her Right – Roy Head & The Traits
Son of a Lovin’ Man – Buchanan Brothers

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Movies and Tea #55 – Kill Bill Vol. 1 + 2

Having remoulded the crime movie genre with his first three films Tarantino followed it up with this rip-roaring tale of revenge following “The Bride” a character created with his leading lady Uma Thurman on the set of Pulp Fiction.

Spread across two films with Vol. 1 paying homage to his love of Eastern cinema drawing on inspiration from Shaw Bros. movies and Pop samurai cinema like Lady Snowblood and Lone Wolf and Cub. While with Vol. 2 he transfered his vision into a modern western.

We look at the films which inspired his vision, how the soundtrack has lived on through reality TV as well as some insightful differences in the translation plus more.

Music on this episode

Bang Bang (My Baby Shot Me Down) – Nancy Sinatra
The Lonely Shepherd – Gheorghe Zamfir

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