Category Archives: Reviews

Friday Film Club


Hi folks and welcome to the The Friday Film Club where both myself and Kim will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether your choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Kim’s Pick – Freaks (2019)


Recently released digitally and having the physical release on December 10th, Freaks is a new take on humans with special abilities. Call them superheroes if you’d like but its not really that. In fact, Freaks is one that tells a story about a father who keeps her daughter in the vicinity of their home to protect her from the dangers of the outside world, urging her that she isn’t ready as they keep practicing to “be normal”.

The best way to go into this film is knowing as little as possible and letting the story itself unfolds into its many twists and turns for each of the reveals about both of these characters and this mysterious old man in the ice cream truck calling himself Mr. Snowcone. While its set in the home, the world outside is discovered with the little girl as she breaks from her confined area and starts to see more outside and why and what her father protects her from becomes more and more apparent by the end of this alternate reality (of sorts) created in this film.

Freaks boasts a rather nice cast with young actress Lexy Kolker as the little girl as a 7 year old Chloe who doesn’t really understand the world around her except the protected world and ends up having to come to terms with all the discoveries and her abilities. At the same time, she is paired with Emile Hirsch as her father who delivers a rather subtle and intense role simultaneously whereas they are faced with Mr. Snowcone as the mystery ice cream truck man played amazingly by Bruce Dern.

Freaks isn’t your typical type of science fiction and “superheroes”. In fact, these characters have a lot of depth as Chloe lets us see this film’s world and mysteries and confusing events through her eyes and her experiences for the most part and that adds so much to making this a movie that will keep its viewers guessing. Each character that the film introduces has its purpose in the grand plan that keeps getting mentioned but it all comes together by the end as the characters get linked properly together and everyone embraces their true selves. Well-executed, well-paced and a nice story set with a certain level of subtlety and mystery makes Freaks a film worth checking out.

Elwood’s Pick – Girls Und Panzer The Movie (2015)


Set after the events of the series though at the same time it’s not essential to have seen it to enjoy this fun dose of anime comedy action as here we are presented once more with the world of “Sensha-do” or “The Way of the Tank” as high school girls engage in the sport of competitive tank battles.

In the series the girls of Ooarai Girls High School battled to save their school by wining the Sensha-do tournament, a victory we are now told counted for nothing leaving the girls facing being split up until they are offered another chance to save the school if they can defeat a university team. What follows is an action packed ride which is bookended by lengthy tank battles which if your like myself is only a big plus seeing how tanks just make everything better.

Bringing back the same colourful cast of characters which not only make up the Ooarai team but also the rival teams which they faced in the series and this time get to roll into battle with. Combined with a real sense of fun from the exchanges between the girls but this time also extends to the tank battles with director Tsutomu Mizushima an anime veteran with his credits including the original series but here he really takes the fun to another level as tanks fly through the sky while also rumbling through a shopping centre with the finale seeing the teams battling their way through a fun fair.

While it might seem like another addition to the “Schoolgirls do….” anime sub-genre much like the show the film manages to rise above being just cute schoolgirls in tanks creating like the series an experience which is just a fun and constantly suprising ride from start to finish and a great addition to Netflix’s Anime libary.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

Friday Film Club: Little Monsters + The Suicide Shop


Hi folks and welcome to the The Friday Film Club where both myself and Kim will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether your choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Elwood’s Pick – Little Monsters (2019)


While there has certainly been no shortage of zombie properties in recent years as the sub-genre drifted from George Romero’s gut munchers to being like vampires and one of the most over worked and originally devoid sub-genres of horror. This is not say that we haven’t seen occasional bursts of originally with shock some life back into these movies such as 28 Days Later and more recently Train to Busan but those examples are far and few between.

Thankfully Little Monsters is another of those examples of someone trying to do something different with Zombies with director Abe Forsythe channelling the same comedic vein as Shawn of the Dead to craft a film which not only delivers on the gory shambling zombie fun but one which also a lot of charm.

Following failed musician Dave (Alexander England) who after finding out that his girlfriend has been cheating on him during a disastrous proposal attempt he now finds himself living on his sisters couch and looking after his nephew Felix (Diesel La Torraca). Accompanying Felix’s class on a trip to the farm under the geise of wanting to be a helpful chaperon when he real interest is in Felix’s teacher Miss Caroline (Lupita Nyong’o) who likes to wear colourful sundress and play the Ukulele. However when zombies escaped from the nearby military facility escape Dave and and Miss Caroline must work together to save the children before the military nuke the farm!

Fuelled by an upbeat energy that perhaps becomes alittle too sacturine in the final quarter this film finally feels like someone trying to do something new with the Zombie genre even if it’s not straying far from the traditional tropes, the Life is Beautiful style misdrection that Miss Caroline weaves to hide the horror which surrounds them from the kids certainly provides it’s fun moments such as her return from a bout of zombie slaying covered in gore which she dismisses as having been “Caught In A Jam Fight” which at the same time advising them not eat the bits dripping off her. At the same time Alexander England provides the more crude humour elements of the film alongside Josh Gad’s kids TV personality Teddy McGiggle who might not be as whole as his TV image would have you believe.

If your looking for wall to wall zombie slaying action you will be disappointed as while the zombie sequences certainly deliver with one zombie staggering around the farm in a kola costume the scenes of them being slayed are few and far between with Forsythe preferring to have the cast run away than confront the zombies building up to possibly the slowest escape from zombies ever committed to film.

Unquestionably the film features great performances throughout along with a high quota of fun, even if it feels like it runs out of gas during the final quarter. This is still a fun companion piece to the still superior Shawn of the Dead

Kim’s Pick – The Suicide Shop (2012)


Based on the 2007 French novel by Jean Teule of the same name, The Suicide Shop or as it’s know in it’s native France Le Magasin des Suicides in French, is an animated film about the Tuvache family who runs a suicide shop with all the different ways to perfectly execute a suicide in a time where the suicide rate is high in the near future city. However, trouble strikes the family when the realize that their youngest son is not the depressed personality but is born with a smile and a happiness that infects their customers affecting their business, one that has thrived through generations. In a struggle of keeping their business alive and dealing with this out of the normal son in their family, the Tuvache family has to embrace which is more important to them.

French films in general have always had a flare for the dramatic. Perhaps its why the animations itself also grasp a less dramatic but more dark humor angle to their story which fits perfectly into The Suicide Shop’s storyline. The contrast of happiness and depression is done really well here which creates a lot of highly entertaining scenes that go down. At the same time, the concept of happiness being something that isn’t a given in everyone’s life also becomes a key theme that has some rather fun little moments. It embraces the family theme and also has its charm in its quirkiness and oddity, especially in its focus on the different ways of suicide and just how ridiculous some of it actually is and how this concept can be turned into a movie in general.

The Suicide Shop might suffer from some storyline issues, however where it excels is in its animation art style and the color palette. It’s the unique area that it explores that also adds a lot of intrigue as well as the well-executed dark humor. The characters are also done pretty well with each of the members of the Tuvache family. Its not perfect but The Suicide Shop has a lot of quirk, oddities and an immense of charm and visual appeal.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

The Bling Ring – Elwood’s Take

Is it a sign of the current state of society that this is now the second film I’ve seen now based on a magazine article a trend which started with Pain and Gain and with this being the second. Still thankfully this is far from dumb film making, even if its subjects are far from the sharpest tools in the shed as director Sofia Coppola continues her on going obsession with celebrity in its various forms with her fifth film, which this time draws inspiration from the Vanity Fair article “The Suspects Wore Louboutins” about the titular Bling Ring; a group of celebrity obsessed teens who broke into the houses of celebrities, stealing cash, clothes and jewellery and whom over the course of their crime spree stole in excess of $3 million in cash and belongings.

Shooting from a stand-off perspective here Coppola chooses to play observer rather than making the audience part of the gang, more so as their criminal activities continue to spiral out of control. Needless to say its only a matter of time before the group begin to enjoy perhaps a little too much the faux celebrity lifestyle they have carved out for themselves from their burglaries or from selling on the items they choose to not keep for themselves. Still what sets this film apart from the numerous true life crime dramas is the brazen stupidity of the group in question, for these high schoolers don’t don disguises or balaclavas and frequently brag to their friends about their exploits while posting pictures of themselves posing with their ill gotten gains over Facebook, so that it’s only essentially a matter of time before the law catches up with them, with of course the big question of course being just how long it will take before they come unstuck .

Making up the group we have ring leader and wannabe fashionista Rebecca (Chang), whose choice of fashion school only seemingly stretches as far as where there girls off “The Hills” go. New kid at school and Rebecca’s chief partner in crime Marc (Broussard) wants a lifestyle brand, while the trio of Nicki (Watson), younger sister Emily (Rock) aswell as Nicki’s best friend and adopted sister Sam (Farmiga) are home-schooled in lessons torn from the self-help bestseller (And general universe botherer) “The Secret” by their new age mum (Leslie Mann), which perhaps along with their already spoiled and care-free lifestyle might explain their lust (like the rest of the group) for celebrity.

Despite sketching out the group members with quick strokes and minimal focus on detail, what Coppola surprisingly does here is essentially tell us everything we need to know about these essentially shallow individuals, without any unneeded padding or attempts at trying to figure out what makes them tick, especially when all this group cares about is what can be seen on the surface even more so when their aspirations are soon so focused on fueling their faux celebrity lifestyle, especially as their become increasingly lax with their criminal activities, while flashing their cash and generally hovering up coke. Like with Harmony Korine’s Spring Breakers this is youth lived through excess and little much of a damn being given to the consequences of their actions, as they continue to fuel their own self-delusions.

Once more Coppola shows herself as a highly visual director, with each of the heists taking on their own style, from the single sustained wide shot of reality star Audrina Patridge’s home being raided as Marc and Rebecca work their way through it room by room. Elsewhere she takes a more voyeuristic trip around the rooms of Paris Hilton’s mansion which was actually shot on location, taking in the excess and trappings of wealth that the group so badly crave, as she shoots the scene like a criminally charged edition of Through The Key Hole. Elsewhere the crimes are followed via google earth and TMZ reports, while occasionally cutting away to an insight from one of the key players in this scheme often accompanied by them trying to place more of the blame on another group member, especially in the case of Nikki who frequently tries to play for the sympathy of the public, while trying to portray the image of a good girl lead astray, when the truth couldn’t be more different.

The cast assembled here while largely unknown with the exception of Watson and Chang, they still manage to give a highly believable performance as this group, while I would have to also at the same disagree with the exaggerated praise which Watson has received for her role here, which essentially just build on what she started with the irritating “Perks of Being A Wallflower” and as such see’s her once again trying to play against the Hermione role she has become so synonymous with, by exhibiting general low level bad girl behavior, while far from doing anything to stand above the rest of the cast with Chang for myself being by far the strongest player here, from the devious looks she flashes to Marc as she randomly breaks into cars, to steal left behind cash and jewellery, to her frequently cool demeanor as she attempts to escape to Vegas and pin the blame on her fellow group members.

The downside to the film though is that Coppola gets so caught up in the robberies and the downward spiral of the group, that when it comes to the sentencing it feels rather rushed, with no desire it would seem to focus on the aftermath of these events, outside of a brief catch up. Something which might be frustrating to some, especially when it leaves the focus of the film being kind of limited in scope, but nevertheless this is still another strong movie from Coppola even if it might not be her strongest work to date, it is still an engrossing watch while also providing an interesting statement on celebrity driven youth and the allure of the celebrity lifestyle.

I Used to Be Normal: A Boyband Fangirl Story

Is there a point were you outgrow boy bands? This is just one of several questions posed by director Jessica Leski in her debut film as she attempt to explore not only the appeal of boy bands but also what sparks such devotion in their fanbases. This she achieves by following four intergenerational women who all consider themselves to be obsessed fans of their chosen boy band.

First up we have Elif who s the youngest of the particpants and an obsessed One Direction fan to the point were she went viral when a video of her breaking down during the announcement of their concert DVD was posted online. Next we have Daria an obsessed Take That fan, we also have Sadia representing the fans of the Backstreet Boys and finally we have Susan who at 64 and still an obsessed Beatles fan even being one of horde of Beatles fans who descended on Southern Cross during their tour of Australia. Each of them bring something different to the table and as their stories unfold especially with what the bands mean to them and the effect they had on their lives.

Starting off with a charming feeling of innocence as each of the women talk about how they discovered their chosen boy band and what it was which sparked their interest which unsurprisingly stems from them finding one of the members cute accompanied by charming animated sequences playing out their fantasies with the members which range from Elif playing tag with Zayn to Sadia being taught how to swim by Nick. How they choose to celebrate their favourite boybands though is were the film really gets interesting especially for the likes of Daria and Sadia whose Xenial fandom antics have a fun nostalgic glow to them with Sadia talking about sending out a Backstreet Boys News letter using the family e-mail or Daria living out in sticks passing time at the weekend obsessionally learning the dance routines off a concert video incase she should ever be called up to stand in for one of the members. Compared to Elif who with the power of the internet can speak to her fellow Directoners all over the world to track their every movement to the point were they refer to them as “Their Boys”

At the other end of the spectrum Susan and her Beatles obsession provides another interesting angle to the film, especially when looking through her memorabilia collection and seeing how much of it is replicated over the years with band being swapped out for the latest chart topper. However while the boybands might be changed out over the decades Leski skips over the controversy that the bands suffered or how their break up instead choosing to present them in the same perfect light their fans view them in even though it does feel like a missed opportunity to see how Zayn leaving One Direction effected Elif and how Daria was effect by any of the major scandals which rocked her fanbase from Robbie Williams leaving, their controversial image change or her beloved Gary from Take That being caught up with his fellow members in an off shore banking scandal.

Thanks to choosing such fascinating and knowledgable subjects for her film Leski is able to avoid any use of voice over or cut aways to pop culture experts and psychologists and instead lets the quartet compile their stories in their own word soley even having Daria breakdown the boy band formula from what sort of roles the band members have to play and styling requirements which when laid out on the white board is actually kind of surprising to see how they all fall into the template she has just laid out.

Interestingly the film spends the last half hour of the film five years on from when Leski began following the woman and in doing so find many of them having entered into a phase of transition away from the boy band obsessions with a trip on the Backstreet boys cruise…..yes that is actually a thing and Leski has the footage to prove it! However for Sadia it’s almost a wake up call for their biggest fan as faced with a mirror vision of herself x1000 she realises that there is more for to achieve on her own including learning to swim. Elif also finding herself in a similar situation as with her parents refusing to let her pursue music at college also kills her love for One Direction to be replaced with a love for Jazz. Ultimately the documentary ends in a good place for all four of the participants though the same can’t be said for their fan status but despite this the documentary maintains the sweet tone which carries throughout the film as Leski clearly isn’t trying to judge any of the fans but more understand what drives their obsessions.

One of the great things about documentaries is the ability to take a subject and turn it into the most surprisingly engrossing experience and certainly Leski’s film does exactly that as for those of us who were never part of the boyband hysteria are given an insiders view while providing a sense of nostalgia for the devoted. Regardless of if your a boyband fan or not this is a facinating look at fandom in it’s purest form.

Rating: 4 / 5

Friday Film Club – Anna and the Apocalypse + Rollercoaster


Hi folks and welcome to the The Friday Film Club where both myself and Kim will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether your choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Elwood’s Pick – Rollercoaster (1977)


A film probably best known for its rather spectacular opening roller coaster crash than the film the footage was actually taken from this would be one of the few feature films that James Goldstone directed spending most of his career directing TV Pilots for Ironside and the original Star Trek were his work was not only noted for its momentum but also the “fifteen-minute cliffhangers” he brought to them. This is a film equally noteworthy for being one of the four films which Universal presented in “Sensurround” were selected theatres were low-frequency bass speakers were used to create vibrations at key moments, which ultimately proved to be so successful that it cracked the plaster of some of the theatres which choose to use it.

Despite the impressive opening crash this is surprisingly a much more subtle film than you might expect as Goldstone instead here chooses to craft a tense thriller with the rest of the film plays off the tension of not knowing were the bomber has hidden his next device let alone the mind games between Timothy Bottoms unnamed bomber and George Segal’s Safety inspector Harry. Bottoms however was criticised for being too boring as a villain in reviews for the film when it was originally released but here he gives a performance reminisant of Kevin Spacey’s John Doe in Seven which here really works for the film, especially when he is spending the majority of the film taunting Harry over the phone or a walkie talkie, all the time knowing that he holds the power in this situation with Harry left to play the unwilling puppet in the proceedings.

Segal meanwhile is an engaging leading man as the frustrated safety inspector he works in humorous subtle digs at his incompitant bosses while also having to work with the local police chief and Richard Widmark’s tough FBI agent. While it might seem that his talents are perhaps alittle wasted here seeing how he spends most of the film talking to the Bomber over the walkie talkie while moving through a variety of amusement rides which for theme park fans provides its own enjoyment with the film being shot on location at Ocean View Park, Kings Dominion and Six Flags.

The Cinematography throughout is extremely impressive especially with the rollercoaster footage were large portions are shot from the front of the carriage creating that simulator feel of being on the ride which is a nice touch especially when Goldstone isn’t planning on giving the audience any more crashes. The fact that they are shot from so many angles including some impressive profile shots is really add to the excitement, especially during the finale were the cat and mouse games are played out on the opening of the six flags Revolution the world’s first coaster to use a clothoid-shaped vertical loop and more fun against the backdrop of a Sparks concert a gig which had rumoured to had been offered to both the Bay City Rollers and KISS the later turning it down in favour of doing KISS Meet The Phantom of the Park. Sparks would later recall doing the film as one of the worst things they have ever done which I had to wonder if this was before or after they did their 2006’s album Hello Young Lovers. Despite what they feel about it, the high energy performance here really play well against the tension of this final game between the bomber and police.

While it might initially be a little disappointing to see what seems to be setup as another disaster movie dissolve into a thriller it ultimately proves to be the right move here, especially with Segal’s performance certainly able to carry the film so that such shocks are never required even though the film had originally been planned to be a lot more gruesome with both the opening crash and how the bomber ultimately meets his demise, a plaque for which can still be found on the rollercoaster at Six Flags. While perhaps not a film that rewards repeat viewing it’s one still worth checking out especially for the opening crash as you wonder just how they pulled it off.

Kim’s Pick – Anna and the Apocalypse (2017)


Mixing genres is a lot of fun and nothing quite sells like the idea of mashing zombies, musical and a Christmas setting together and its one of the reasons that 2017’s Scottish film Anna and the Apocalypse first landed on anyone’s radar during its festival circuit. While the idea sounds a bit odd, just like Shaun of the Dead worked out, Anna and the Apocalypse is very much a teen horror comedy musical. Its not very scary but does offer a lot of alternate Christmas and zombies elements.

Starring a fairly unknown young cast, Anna and the Apocalypse works because it does what it needs well. The first is the musical numbers. The music itself is a lot of fun, probably more for people who like musicals but there’s a lot of entertaining moments in the songs and the background. There are some downright ridiculous moments and yet because it’s a musical, it does work. Second, the friendship element and character bonding here also delivers. The characters really are known more through how they react and are and gives space for them to grow. Third, the pacing and execution is pretty fast-paced because of its compact run time that gives time for things to just keep happening and not spend a lot of time on the dramatic things like dwelling on past issues.

Overall, Anna and the Apocalypse is a movie suitable for Halloween and Christmas and is surprising entertaining with some very addictive songs and fun numbers. The characters are few but all are quite endearing especially with their different personalities. Its rare that the “bad boy” Nick, played by Ben Wiggins is not repulsive but while he starts that way, he also has quite a nice presence here along with main lead Anna, played by Ella Hunt (who suitably is now part of the Apple TV show Dickinson) as well as the fairly awkward presence of their friend, Steph, played by Sarah Swire, who is really witty and a great character in the film as a whole. Catchy tunes, fun characters and zombie apocalypse breakout during Christmas is a really great mashup that’s well worth a watch.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

Friday Film Club – Antisocial + Perfect Blue


Hi folks and welcome to another edition of The Friday Film Club where both myself and Kim will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether your choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Kim’s Pick – Antisocial (2013)


Canadian film company Black Fawn Films is known for its filmography of independent horror films. With a good number of films under their belt, there is no doubt that the team themselves have a great love for horror and in their films, a lot of homage is given to the various subgenres of horror. However, what gives them a unique twist is not only their vision of creating something new of their own while also mixing it up in terms of various subgenres together. While some viewers might view this as “been there done that” and feeling very familiar with its content, especially with the film today, it’s still has some refreshing elements especially paired up how the films are usually executed.

Antisocial is a 2013 horror film set during New Year’s Eve focused on a house with five university students partying it up when an epidemic spreads throughout the world. As they barricade themselves in the house, they also start rummaging around the Internet to find out the cause of the epidemic. Slowly, they each become both scared and filled with paranoia. Taking a bit of the digital world epidemic like Pulse and blending it into a science fiction-esque story and then adding in some zombie elements here, this film is a nicely-paced movie. Its mystery of the epidemic unravels itself. At the same time, while the 5 characters here might not be fully investigated, making them slightly more shallow, the film never forgets its focus is not on all the character drama but rather on the urgent situation at hand. There are some truly tense moments and they do ramp up to a memorable climax. Antisocial is not perfect but its straight forward and not always predictable.

It’s a revisit on our part that has held up a lot of its initial appeal. And if this film is your cup of tea, Antisocial 2 did also happen. While its pacing is different from the first one, its story is set some time after Antisocial ends.

Elwood’s Pick – Perfect Blue (1997)

MoxieStaffPicksPerfectBlueSatoshi Kon’s directorial debut is Hitchcock-esq thriller following Mima , a member of a J-pop group “CHAM!” decides to pursue a career as an actress, displeasing her fans especially her stalker Me-Mania (Okura). Now finding herself the target of threatening fax’s and mail bombs, things only get stranger when she discovers a website call “Mima’s Room” documenting her life if she was still with the band, as Mima finds her world being turned upside down as she is pushed to the brink of her own sanity.

A griping film throughout, the film though is a lot deeper than your usual psychological thriller, as while most thrillers would be content to just play off the mystery of “Mima’s Room”, here Kon’s focus on the changing personality from Virginal pop idol to driven actress willing to do more and more to ensure that she makes it as an actress, even if it means shattering the image her fans about her as she inturn starts to slowly reveal her much darker side.


At the same time Kon shows equal attention to the supporting characters who all provide their own piece of the puzzle, from Mima’s office Manger Tadokoro (Tsuji) who pushes Mima into increasingly risque situations which he convinces is for the good of her career regardless of the pressure it puts on her already fragile psyche through to the obsessed  and grotesque stalker Me-Mania who plasters his walls with images of Mima’s pop idol form which in one memorable scene even speak to him. Kon though is equally mindful of the smaller details which often prove as a result to be just as memorable, such as an actor involved in filming the rape scene apologising to Mima during a break between takes.

The animation is crisp and clean throughout, with Kon choosing to avoid the more traditional large eyed anime style, instead for a more realistic style as seen with the wide range of character designs and while it might not have the wow factor that many have come to expect thanks to the releases of Studio Ghibli this is still visually a nice anime to look at, with the movement of the characters being especially spot on as especially highlighted during the ice pick murder sequence involving a length chase around the victims apartment.

A benchmark in Japanese animation aswell as also providing the inspiration for Darren Aronofsky’s Black Swan, as it’s slowly earned the same recognition as the likes of the legendry Akira or Ghost In The Shell.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.

Friday Film Club – Balto + Kitten With A Whip


Hi folks and welcome to the The Friday Film Club where both myself and Kim will be highlighting a film which we feel is worth checking out. At the same time we would love to hear your own selections whether your choosing to just name them in the comments section or join us in arguing the case for your film on your blog, let us know and we will share it below.

Kim’s Pick – Balto (1995)


Loosely based on the true story of a dog of the same name who helped save children in Alaska, Balto has some live action scenes in Central Park of an elderly woman recounting his story and what makes Balto a hero. Most of the movie aside from the beginning and ending is animated filled with not only a group of sled dogs in Alaska but also with a Russian goose called Boris and polar bear brothers Muk and Luk who are terrified of water and of course, Balto who is an outcast and expected to be dangerous because he is half Husky and half wolf. An unexpected grouping but an effectively funny one that gives it the cute and fun adventure with a bit of drama.

Balto is a family adventure animated film. At the same time, it has those added elements of romance between Balto and Jenna where Jenna’s affection is trying to be won over by the top dog called Steele who doesn’t want to admit defeat when he fails at bringing home the medicine to save the children in Nome during the storm. It is a story of triumph, danger, friendship and romance. At the same time, Balto is a character that has to learn to embrace his own differences and use those differences as what helps him to succeed in this journey. Its an inspiring little animated film.

Voiced by some great talent like Kevin Bacon as Balto, Bridget Fonda as Jenna, Bob Hoskins as Steele and Jim Cummings as both Muk and Luk, there’s a lot to love about this film as they bring on some great fun times and totally one that didn’t get its recognition as its release collided with the much more successful Toy Story but that doesn’t stop the greatness that this animated film deserves.

Elwood’s Pick – Kitten With A Whip (1964)


Despite the S&M title this home invasion thriller is alot less sleazy than the title would have you believe as Ann-Margaret in an attempt to rebrand herself as a serious actor stars as the young runaway Jody who breaks into the house of upcoming politician David (John Forsythe) while his wife is out of town. Initially he attempts to help the young girl as he buys her new clothes and puts her on the bus with money to help her out. Unfortunately for David she just turns up at his house again not only refusing to leave but also bringing with her a group of beatniks who only further throw David’s life into chaos.

For fans of MST3K this might already be a familiar title seeing how it received their peanut gallery treatment but enjoyed in its original form this is actually a pretty effective thriller especially during its first half with David trying to be the good person while Jody soon is revealed to be hiding more than her share of dark secrets and soon is threatening to damage David’s political aspirations by twisting the reality of their situation.

While the first half of the film is fantastic thanks to the strong chemistry between the two leads which is a little lost once Jody’s friends turn up including amatuer philosepher Ron (Peter Brown) and quick to anger Grant (Richard Anderson) and turn the situation from mind games to more physical threats all while you wonder if Beatniks are worse than Hippies as certainly Ron and his musing certainly make you wonder who buys into this tosh. Thankfully you the unclear allegiance of Jody keeps things interesting as your never sure if she trying to help David or if it’s another of her mind games. When we get to the finale the film also randomly shifts location to Tijuana in search of a shady doctor though it really seems to be just an excuse to work in some light titillation via a burlesque club which has nothing to do with the plot as we build to a climactic car chase.

Despite being MST3K fodder this is still a fun throw away watch with some fun twists even if it loses its way in the second half it’s brisk runtime and tight pacing means that it doesn’t outstay it’s welcome.

So you’ve seen our picks for this week’s double feature but what are your movie watching plans this weekend?

Let us know in the comments section below.